These ladies are trash-omnivores: They all eat cookies happily in front of the far more calamitously conceived Rich Kids of Beverly Hills. Of Keeping Up With The Kardashians, Mavro notes dreamily: “I can see how you become hooked on this,” earning looks of consternation from her two buddies: “How so?” one of them asks, pretty disgusted. My favorites are three women who watch together from a retirement community: Ayn Phillips, Teddi Shattuck and Sue Mavro.
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“You’re laughing at someone who is laughing at something else, and you really relate to them too.” “To me, it has a viral video quality to it,” says Ryan Flynn, the show’s executive producer and Bravo’s VP of Production.
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The series featured are deliberately split between hot-right-now (ie, The Voice), and the slightly offbeat one you may have heard of, but not seen (ie, Believe). The US version features eight groups of TV watchers all watching the same shows.
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And yes, the participants are more telegenic. The American one, filmed in Los Angeles and its environs, is much more swish and Bravo-y. Inevitably, the participants of the British show have become stars in their own right, and the critically acclaimed show-this week it won a prestigious Royal Television Society award-has a gritty feel, with lots of images of broodingly dark British streets at night and cozily un-grand living rooms. Soon, there will be a show of us watching them watching TV, and so on-until we all become self-regarding motes of dust.
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It’s a simple idea, franchised from the hugely popular British show, Gogglebox (the British colloquial word for television): place robotic cameras on top of the TV to watch viewers respond to what is on TV, and record not just off-the-cuff outbursts, but also how they tune in. The funniest moments on Bravo’s The People’s Couch are not necessarily the snarky or outrageous reactions people have about the TV shows they watch, but the way they watch TV itself.